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Fruit Dish and Glass (1912), by Georges Braque, is the first papier collé (pasted paper, colloquially known as collage ). [1] [2] Braque and Pablo Picasso made many other works in this medium, which is generally credited as a key turning point in Cubism . Inspiration and Process


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Glass, known since the most remote ages, was subjected to increasingly refined processing over the course of time. Since the 13th century Tuscany had played a leading role in Italian and European glassware production. Starting from Medicean times, the Tuscan master glassmakers specialised in producing not only refined artistic glassware, but also sophisticated instruments for pharmaceutical use an


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In Fruit Dish and Glass, Braque combines Cubist drawing with illusionistic representation, words, and decorative paper printed with a wood grain pattern ( faux bois ). At the top we see a bunch of grapes drawn relatively naturalistically, with light and shade defining its three-dimensional forms.


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Created in 1912, Fruit Dish and Glass by Georges Braque is a very innovative take on the classic still life theme of a dish of fruit. There are many notable things about this painting, but one thing that art critics often pick up on as particularly salient about Fruit Dish and Glass is its medium.


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Google Classroom By Dr. Charles Cramer and Dr. Kim Grant Juan Gris' The Table depicts a Cubist still life using an elaborate combination of traditional naturalism, abstraction, and papier collé (pasted paper collage). Objects or parts of objects, including a pipe, a glass, bottles, and a key, have been meticulously drawn and shaded in charcoal.


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Fruit Dish (French: Le Compotier) is an oil-on-canvas painting executed in 1908-1909 by Georges Braque. It has the dimensions of 53 by 64 cm. It his held at the Moderna Museet in Stockholm . After becoming influenced by Paul Cézanne, Braque went to embrace cubism in 1908, due to the influence of Pablo Picasso.


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About Fruitdish and Glass. Georges Braque's Fruitdish and Glass is a unique take on the still life theme, created in 1912. This cubist papier collé is made of cut-and-pasted printed wallpaper with gouache on white laid paper, an innovative technique that Braque is known for. The painting features a glass filled with grapes and pears that.


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Fruit Dish and Glass, 1912 Georges Braque. This work is the most famous and possibly the first Cubist papier collé, a collage made of pasted papers. In the summer of 1912, Braque and Picasso were working in Sorgues in the south of France. Braque later recalled that one day, while wandering around the nearby city of Avignon, he noticed a roll.


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Georges Braque's Fruit Dish and Glass from 1912 is an early example of papier collé, the pasted paper technique that we now know as collage, being used to add texture and depth to an artwork. The addition of sand, wood grain paper ( faux bois in French) and wallpaper to Braque's painting marked a turn toward a more playful approach to art.


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In Still Life with Fruit Dish he created a shallow, compressed space that flattens the sculptural volumes of dish, glass, and fruit. This painting was a prized possession of the artist Paul Gauguin, who described the picture as "an exceptional pearl, the apple of my eye."


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Fruit Dish and Glass is Braque's first work using papier collé (pasted paper), a subset of collage made using only paper. Picasso's first collage, Still Life with Chair Caning preceded Braque's Fruit Dish and Glass by a few months and was made from a variety of materials including oilcloth and rope. Papier collé was a central medium in the second phase of Braque's and Picasso's.


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Georges Braque's 1912 painting, "Fruit Dish and Glass," represents a significant example of his Synthetic Cubist style. The artwork combines familiar objets with symbolic shapes to create a composition that is both recognizable and abstract. The papier colle technique used involved cut-and-pasted printed wallpaper, gouache on white laid.


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Title: Fruit Dish and Glass Artist: Georges Braque (French, Argenteuil 1882-1963 Paris) Date: Sorgues, autumn 1912 Medium: Charcoal and cut-and-pasted printed wallpaper with gouache on white laid paper; subsequently mounted on paperboard Dimensions: 24 3/4 × 18 in. (62.9 × 45.7 cm) Classification: Drawings


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discussed in biography In Georges Braque: Cubism.of wallpaper to the drawing Fruit Dish and Glass. He also began to introduce sand and sawdust onto his canvases. This work significantly strengthened the idea, full of consequences for the future of art, that a picture is not an illusionistic representation but rather an autonomous object. Read More


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Still Life with Glass, Fruit Dish and Knife Place France (Artist's nationality:) Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as.